ericbarbour wrote:And it's not even all that popular in the US anymore.
Top ten cities – pageviews per capita
1. Austin
2. Calgary
3. Edmonton
4. Toronto
5. Vancouver
6. Sydney
7. Melbourne
8. San Diego
9. Brisbane
10. Portland
All of them nerd/hipster meccas but only three American cities. Something weird here.
It's an abuse factory if you are an American travelling in certain circles. Also each of those towns have subreddits of their own, so you can keep track of things going on, plus r/Canada and r/Australia exist.
Reddit is hamstrung by its shitty design in "old" and "new" flavors, the Administration's support of the largest and most dangerous subreddit in spite of their ability to quickly become a harassment army (because
u/spez is a fan of Donald Trump, so the totally irregular The_Donald stays), we know there has been a lot of harassment, doxxing, forced takeovers of smaller subreddits by that psycho
u/jcm267 and lots more drama and stupidity in circles we don't know about. Because Reddit is blissfully modular, the shitstorm "default" subreddits can be taken off your "home feed" and you can stick in whatever you want (if they have it)....that's what I think a lot of these Ozzies and Canucks are doing, curating their own little Reddit experiences and avoiding the insanity if they want to. Reddit is older now than Wikipedia was when the
Essjay scandal hit and people started leaving. Because it's a super messagboard and not an encyclopedia, the culture is slightly different and it skews younger, but all the same, it might be suffering from the American exhaustion with social media. We have had about
twenty-three years of this Internet jazz and
fifteen of that was some sort of social media and it's becoming too much for a lot of people. Given a choice between constantly doing emotional work of sorts in front of a large public or living like Stanley Kubrick (private life with an intense family bond while working on things that may take a while to bring to the world), they would choose the life of the expatriate New Yorker then deal with the nonstop production of
Marat/Sade that the Internet has become.